A Festival of Rain
Audio
MIDI demo
View Score
Downloadable, not printable
Duration
3 minutes
Level
Advanced
2016
Completed
May 2016
Composer's Notes
Based on an excerpt from the short story “Rain and the Rhinoceros” by Thomas Merton:
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“Let me say this before rain becomes a utility that they can plan and distribute for money. By “they” I mean the people who cannot understand that rain is a festival, who do not appreciate its gratuity, who think that what has no price has no value, that what cannot be sold is not real, so that the only way to make something actual is to place it on the market. The time will come when they will sell you even your rain. At the moment it is free, and I am in it. I celebrate its gratuity and its meaninglessness.
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The rain I am in is not like the rain of cities. It fills the woods with an immense and confused sound. It covers the flat roof of the cabin and its porch with insistent and controlled rhythms. And I listen, because it reminds me again and again that the whole world runs by rhythms I have not yet learned to recognize; rhythms that are not those of the engineer.
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I came up here from the monastery last night, sloshing through the corn fields, said Vespers, and put some oatmeal on the Coleman stove for supper. … The night became very dark. The rain surrounded the whole cabin with its enormous virginal myth, a whole world of meaning, of secrecy, of silence, or rumor. Think of it: all that speech pouring down, selling nothing, judging nobody, drenching the thick mulch of dead leaves, soaking the trees, filling the gullies and crannies of the wood with water, washing out the places where men have stripped the hillside! What a thing it is to sit absolutely alone, in a forest, at night, cherished by this wonderful, unintelligible, perfectly innocent speech, the most comforting speech in the world, the talk that rain makes by itself all over the ridges, and the talk of the watercourses everywhere in the hollows!
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Nobody started it, nobody is going to stop it. It will talk as long as it wants, this rain. As long as it talks I am going to listen.
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But I am also going to sleep, because here in this wilderness I have learned how to sleep again. Here I am not alien. The trees I know, the night I know, the rain I know. I close my eyes and instantly sink into the whole rainy world of which I am part, and the world goes on with me in it, for I am not alien to it.”
Program Notes
Characterized by the lightness of the pizzicato strings, this piece is meant to evoke memories of the distinct “pitter-patter” sound that the rain creates when falling onto roofs and hitting windows. Like a rainstorm, the piece opens quietly. Dominated by the pizzicato strings, the music repeatedly alternates between the tonic and mediant chords, suggesting no distinct structural function. The introduction of the theme is stated lightly in the piano through short and simple melodic fragments. From there, things gradually build in intensity, ultimately leading to the first climax, accompanied by a Lydian influence in the melody which brings a brightness to the tune. Even so, this intensity is softened by the effervescent flavor of the pizzicato strings.
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A sudden break in the climax brings back the opening of the piece, suggesting the end of a downpour and the beginning of a quieter set of rain. This new section is reminiscent of the opening, though with a new melody; it is shorter, and again segues into another climax. After the second climax, the music goes into a new chord area not yet explored, repeatedly alternating between the subdominant and submediant chords. The piece closes with the same structure as the beginning—alternation between the tonic and mediant chords—and a three-octave C-Lydian scale up the piano. – JA
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Program note by Justin Ashley. Please credit Justin Ashley when reproducing or excerpting this program note.